Stream It Or Skip It: 'High School Musical: The Musical: The Series' Season 4 on Disney+, Where The Cast Takes Its Final Bow The gang has a lot of nice things to say about horses and cars.'Barbie's Music Producer Mark Ronson Slams Bill Maher's "Man-Hating" Comments: "F***ing Magnificent Comedy"
Lloyd is still salty at Walker for taking a girl more than half Lloyd’s age (because she was his girl!) Jimmy and Mia have a falling out as Jimmy apparently choses to follow John’s orders and go with Travis (who we’re reminded is a dick) to Texas’s 6666 ranch and Rip continues to be irked by Walker’s existence. The soap opera storyline that is the bunkhouse continues its interpersonal melodrama. Kayce doesn’t appear to remember or want to leave. She then says she wants to go back home, alluding to the promise they made when first moving into the ranch: as soon as she says she wants to leave, Kayce will go with her.
Kayce accuses Monica of coddling him and drags Tate out from under the bed, telling him firmly that it’s okay and he should eat dinner like “a human.” Tate pulls himself together (because that’s how PTSD is solved, apparently) as Monica tells Kayce she hates him-regressing their storyline back to season 2 and erasing all the work that made their relationship healthy. Kayce enters the room to find Monica sitting dejected on the floor by the bed and Tate hiding underneath, recreating his post-traumatic stress storyline from season 3. We learn Monica and Tate are alive, though both are struggling with their actions during the attack Tate had shot and killed a man assaulting his mother. The real revelation with Kayce comes toward the end of the episode when he returns home to the ranch. (Instead of being a nice neighbor and just allowing the rancher to move cattle and trample his property.) Kayce solves the problem by assaulting the Californian and burying him beneath the cattle guard-so that when the rancher finds him, they can be friends? Who knows. Recovered from his wounds and back in charge of Montana livestock, Kayce takes a meeting with a local rancher whose neighbor-a Californian-recently bisected his land, building cattle guards to prevent the rancher from moving cattle across his newly acquired property. Here’s what happened during the rest of the episode.
The scene ends with John in his bourbon room. (This aid, however, seems improbable given Jamie’s growing distance from the Duttons.) Last week, John asked Kayce to use Jamie’s position to receive warrants for these raids, suggesting that Jamie helped Kayce expedite law enforcement proceedings.
It also raises questions about Jamie’s role in the family. The scene reveals once again the Dutton’s grip on local law enforcement, with Kayce, a livestock agent, actively leading the raid against the militia. The scene unfolds as John Dutton sits contemplatively in the firelight of his cabin, making the entire montage something like the most violent bourbon commercial of all time.Ī couple things here. The episode opens to the sound of Colter Wall’s “Sleeping on the Blacktop,” played over a caravan of bloodshed: Kayce adds at least two more militiamen to his growing body count, extending his killstreak to 4,000 the bunkhouse beats down and garrotes a couple more and then we see Kayce again doin more killin. (We’re starting to see why Cole Hauser teased lots of bloodshed this season the body count of episode 3 was next level-especially for a random Montana town.) After a wild first week, Yellowstone returned with its third episode Sunday night, following up on the Dutton attack and John Dutton’s plan to hunt down the militia responsible.
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